{"id":911,"date":"2015-07-17T17:02:13","date_gmt":"2015-07-17T16:02:13","guid":{"rendered":"http:\/\/electro-strasbourg.eu\/blog\/?page_id=911"},"modified":"2016-05-29T13:26:43","modified_gmt":"2016-05-29T12:26:43","slug":"musicologie-electroacoustique","status":"publish","type":"page","link":"https:\/\/electro-strasbourg.eu\/blog\/ressources\/ecrits\/musicologie-electroacoustique\/","title":{"rendered":"Musicologie de l&rsquo;\u00e9lectroacoustique"},"content":{"rendered":"<p><a href=\"http:\/\/www.univ-montp3.fr\/~solomos\/Schaeff.html\" target=\"_blank\">Schaeffer ph\u00e9nom\u00e9nologue<\/a><br \/>\nMakis Solomos<\/p>\n<p>Articles de <a href=\"http:\/\/eprints.hud.ac.uk\/cgi\/search\/advanced?screen=Public%3A%3AEPrintSearch&amp;_fulltext__merge=ALL&amp;_fulltext_=&amp;alt_title%2Fbook_title%2Ftitle_merge=ALL&amp;alt_title%2Fbook_title%2Ftitle=&amp;creators_name%2Feditors_name_merge=ALL&amp;creators_name%2Feditors_name=&amp;creators_id_merge=ALL&amp;creators_id=p.a.tremblay%40hud.ac.uk&amp;date=&amp;abstract_merge=ALL&amp;abstract=&amp;keywords_merge=ALL&amp;keywords=&amp;divisions_merge=ALL&amp;subjects_merge=ALL&amp;type=article&amp;type=book_section&amp;type=monograph&amp;type=conference_item&amp;type=book&amp;department_merge=ALL&amp;department=&amp;refereed=EITHER&amp;publication_merge=ALL&amp;publication=&amp;publisher_merge=ALL&amp;publisher=&amp;event_title_merge=ALL&amp;event_title=&amp;referencetext_merge=ALL&amp;referencetext=&amp;doc_descriptions_merge=ALL&amp;doc_descriptions=&amp;datestamp=&amp;satisfyall=ALL&amp;order=-date%2Fcreators_name%2Ftitle&amp;_action_search=Search\" target=\"_blank\">Pierre Alexandre Tremblay<\/a><br \/>\n(on http:\/\/eprints.hud.ac.uk)<\/p>\n<p style=\"padding-left: 30px;\"><a href=\"http:\/\/eprints.hud.ac.uk\/20131\/\"><em>Rich Contacts: Corpus-Based Convolution of Audio Contact Gestures for Enhanced Musical Expression<\/em><\/a><\/p>\n<p style=\"padding-left: 30px;\"><a href=\"http:\/\/eprints.hud.ac.uk\/18549\/\"><em>Rethinking the Box: Approaches to the Reality of Electronic Music Performance<\/em><\/a><\/p>\n<p style=\"padding-left: 30px;\"><a href=\"http:\/\/eprints.hud.ac.uk\/18547\/\"><em>Consid\u00e9rations pragmatiques en musique mixtes: une approche syst\u00e9mique de l\u2019inter-influence entre la composition, l&rsquo;interpr\u00e9tation et la technique<\/em><\/a><\/p>\n<p style=\"padding-left: 30px;\"><a href=\"http:\/\/eprints.hud.ac.uk\/15006\/\"><em>Across The Great Divide<\/em><\/a><\/p>\n<p style=\"padding-left: 30px;\"><a href=\"http:\/\/eprints.hud.ac.uk\/14897\/\"><em>The HISSTools Impulse Response Toolbox: Convolution for the Masses<\/em><\/a><\/p>\n<p style=\"padding-left: 30px;\"><a href=\"http:\/\/eprints.hud.ac.uk\/18466\/\"><em>Mixing the Immiscible: Improvisation within Fixed-Media Composition<\/em><\/a><\/p>\n<p style=\"padding-left: 30px;\"><a href=\"http:\/\/eprints.hud.ac.uk\/7397\/\"><em>HELO: The Laptop Ensemble as an Incubator for Individual Laptop Performance Practices<\/em><\/a><\/p>\n<p style=\"padding-left: 30px;\"><a href=\"http:\/\/eprints.hud.ac.uk\/7396\/\"><em>SpectralConway: Cellular Automata Off The Grid<\/em><\/a><\/p>\n<p style=\"padding-left: 30px;\"><a href=\"http:\/\/eprints.hud.ac.uk\/7421\/\"><em>Surfing the Waves: Live Audio Mosaicing of an Electric Bass Performance as a Corpus Browsing Interface<\/em><\/a><\/p>\n<p style=\"padding-left: 30px;\"><a href=\"http:\/\/eprints.hud.ac.uk\/4081\/\"><em>Thinking Inside the Box: A New Integrated Approach to Mixed Music Composition and Performance<\/em><\/a><\/p>\n<p style=\"padding-left: 30px;\"><a href=\"http:\/\/eprints.hud.ac.uk\/3991\/\"><em>Sound Communication: A Standard Syntax for Inter-Application, Inter-Device And Inter-Player Communication Over OSC<\/em><\/a><\/p>\n<p style=\"padding-left: 30px;\"><a href=\"http:\/\/eprints.hud.ac.uk\/999\/\"><em>Real-time processing on the road: a guided tour of [iks]&rsquo;s abstr\/cncr setup<\/em><\/a><\/p>\n<p style=\"padding-left: 30px;\"><a href=\"http:\/\/eprints.hud.ac.uk\/1000\/\"><em>Le mixtering : mod\u00e8le de travail pour une qualit\u00e9 sonore accrue en \u00e9lectroacoustique \/ Mixtering: A working model for an enhanced sound quality in electroacoustics<\/em><\/a><\/p>\n<p style=\"padding-left: 30px;\"><a href=\"http:\/\/eprints.hud.ac.uk\/14901\/\"><em>Pragmatic Considerations in Mixed Music: a Case Study of La Rage<\/em><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/recherche.ircam.fr\/equipes\/repmus\/jim96\/actes\/EthiqueTechno.html\" target=\"_blank\">Musique, technique, technologie. Quelques remarques musicologico-\u00e9thiques<\/a><br \/>\nFrank Pecquet, Makis Solomos<\/p>\n<blockquote><p>L&rsquo;\u00e9tat actuel de l&rsquo;imbrication entre la musique et la technologie en appelle \u00e0 un double regard. En premier lieu, il ne serait pas inutile d&rsquo;examiner cette imbrication sous un angle historique \u2014 au sens fort du terme, fort diff\u00e9rent d&rsquo;un regard historiciste. En ce sens, il convient d&rsquo;examiner le rapport de la technologie \u00e0 ce que l&rsquo;on d\u00e9nommait par le pass\u00e9 (et qu&rsquo;on continue de d\u00e9nommer) \u00ab technique musicale \u00bb. En second lieu, une fois qu&rsquo;on aura constat\u00e9 le fait que la technologie se distingue de cette derni\u00e8re par son caract\u00e8re \u00ab universel \u00bb (au sens de passe-partout !), le chemin sera ouvert vers une interrogation d&rsquo;ordre \u00e9thique \u00e0 propos du rapport qu&rsquo;entretiennent musique et technologie.<\/p><\/blockquote>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Schaeffer ph\u00e9nom\u00e9nologue Makis Solomos Articles de Pierre Alexandre Tremblay (on http:\/\/eprints.hud.ac.uk) Rich Contacts: Corpus-Based Convolution of Audio Contact Gestures for Enhanced Musical Expression Rethinking the Box: Approaches to the Reality of Electronic Music Performance Consid\u00e9rations pragmatiques en musique mixtes: une approche syst\u00e9mique de l\u2019inter-influence entre la composition, l&rsquo;interpr\u00e9tation et la technique Across The Great Divide &hellip; <a href=\"https:\/\/electro-strasbourg.eu\/blog\/ressources\/ecrits\/musicologie-electroacoustique\/\" class=\"more-link\">Continuer la lecture de <span class=\"screen-reader-text\">Musicologie de l&rsquo;\u00e9lectroacoustique<\/span>  <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":609,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-911","page","type-page","status-publish","hentry"],"jetpack_shortlink":"https:\/\/wp.me\/P3WkX1-eH","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/electro-strasbourg.eu\/blog\/wp-json\/wp\/v2\/pages\/911","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/electro-strasbourg.eu\/blog\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/electro-strasbourg.eu\/blog\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/electro-strasbourg.eu\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/electro-strasbourg.eu\/blog\/wp-json\/wp\/v2\/comments?post=911"}],"version-history":[{"count":11,"href":"https:\/\/electro-strasbourg.eu\/blog\/wp-json\/wp\/v2\/pages\/911\/revisions"}],"predecessor-version":[{"id":1526,"href":"https:\/\/electro-strasbourg.eu\/blog\/wp-json\/wp\/v2\/pages\/911\/revisions\/1526"}],"up":[{"embeddable":true,"href":"https:\/\/electro-strasbourg.eu\/blog\/wp-json\/wp\/v2\/pages\/609"}],"wp:attachment":[{"href":"https:\/\/electro-strasbourg.eu\/blog\/wp-json\/wp\/v2\/media?parent=911"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}