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<\/a><\/figure>\n<\/div>\n\n\n\u00c7a pose la question \u00ab\u00a0qu’est-ce qu’un instrument de musique\u00a0\u00bb<\/p>\n\n\n\n
How do new technologies change how we perform and perceive music? What happens when composers build instruments, performers write code, p\u00a0\u00bberceivers become producers, and instruments play themselves? The answers to these pivotal questions entail a meeting point between interactive music technology and embodied music cognition, what author Alexander Refsum Jensenius calls \u201cembodied music technology.\u201d Moving between objective description and subjective narrative of his own musical experiences, Jensenius explores why music makes people move, how the human body can be used in musical interaction, and how new technologies allow for active musical experiences. The development of new music technologies, he demonstrates, has fundamentally changed how music is performed and perceived.<\/em><\/p>\n\n\n\n voir la page du livre et un lien de download pour le pdf :<\/p>\n\n\n\n https:\/\/www.uio.no\/ritmo\/english\/people\/management\/alexanje\/research\/sound-actions\/index.html<\/a><\/p>\n\n\n\n The book is available as a free download<\/a> (Open Access) and paper copies can be purchased from many online shops<\/a> and hopefully some physical bookshops too.<\/p>\n\n\n\n Part I Musicking Part II Embodiment Part III Interaction Part IV Affection Il y a un nouveau livre tout juste sortie, gratuit dans sa version pdf, par un compositeur, prof \u00e0 l’universit\u00e9 d’Oslo, Alexander Refsum Jensenius. \u00c7a pose la question \u00ab\u00a0qu’est-ce qu’un instrument de musique\u00a0\u00bb How do new technologies change how we perform and perceive music? What happens when composers build instruments, performers write code, p\u00a0\u00bberceivers become … Continuer la lecture de Nouveau livre :\u00a0Sound Actions – conceptualizing musical instruments<\/span>
\n\n\n\nTable of contents<\/strong><\/h4>\n\n\n\n
1 Music as an Active Process 3
2 Music as an Embodied Process 23
3 Musical Instruments 39<\/p>\n\n\n\n
4 Music-Related Body Motion 53
5 Functional Aspects 71
6 Representations of Sound Actions 85<\/p>\n\n\n\n
7 Action\u2013Sound Couplings 99
8 Action\u2013Sound Mappings 123
9 Spatiotemporality 159<\/p>\n\n\n\n
10 From Ivory to Silicone 177
11 Unconventional Instruments 205
12 Performing in the Air 219<\/p>\n","protected":false},"excerpt":{"rendered":"