{"id":4171,"date":"2020-12-16T13:49:36","date_gmt":"2020-12-16T12:49:36","guid":{"rendered":"http:\/\/electro-strasbourg.eu\/blog\/?p=4171"},"modified":"2021-01-09T18:57:50","modified_gmt":"2021-01-09T17:57:50","slug":"webinar-comment-preserver-la-musique-mixte-temps-reel","status":"publish","type":"post","link":"http:\/\/electro-strasbourg.eu\/blog\/2020\/12\/webinar-comment-preserver-la-musique-mixte-temps-reel\/","title":{"rendered":"Webinar &#8211; Comment pr\u00e9server la musique mixte temps r\u00e9el"},"content":{"rendered":"\n<p>Aujourd&rsquo;hui, le 16 d\u00e9cembre 2020, sur youtube : <\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"474\" height=\"267\" src=\"https:\/\/www.youtube.com\/embed\/5GtpxUaHdOE?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=fr-FR&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<p>More info: <a rel=\"noreferrer noopener\" href=\"https:\/\/www.youtube.com\/redirect?redir_token=QUFFLUhqbk9nN1QwdDQ1eXV4Wk1KczdWcGhMckxUc3p6Z3xBQ3Jtc0trMWh3NDY4MHp4SmM2M2R1bnV4UlREdUhBTkpEdGdvWmQ4LVBCMVIyV3J3QWh3eVBZQ2tsM1pGQ0VueElwUWM0RUdVTXJxWVdrcW9ydlJhUGNBZ2Z6MzZZV194RGZhTzhVMFduRjU5SjBNZU9UM3Jobw%3D%3D&amp;q=https%3A%2F%2Fwww.stms-lab.fr%2Fagenda%2Fcomment-preserver-la-musique-mixte-temps-reel%2Fdetail%2F&amp;v=Mr3lFOqEqBc&amp;event=video_description\" target=\"_blank\">https:\/\/www.stms-lab.fr\/agenda\/commen&#8230;<\/a> <\/p>\n\n\n\n<p>Ce s\u00e9minaire r\u00e9unira Miller Puckette, Eric Lindemann, Philippe Manoury et Serge Lemouton autour de deux interventions : <\/p>\n\n\n\n<p>1) Pr\u00e9servation \u00e0 long terme de la musique \u00e9lectronique en temps r\u00e9el <\/p>\n\n\n\n<p>Miller Puckette (UCSD) et Eric Lindemann (Synful) avec une introduction de Philippe Manoury <\/p>\n\n\n\n<p>La fragilit\u00e9 du r\u00e9pertoire de la musique \u00e9lectronique en temps r\u00e9el a \u00e9t\u00e9 souvent \u00e9voqu\u00e9e, et plusieurs tentatives ont d\u00e9j\u00e0 \u00e9t\u00e9 faites pour fabriquer des outils de r\u00e9f\u00e9rence pour de futures performances de musique \u00e9lectronique live. Aujourd&rsquo;hui la plupart du r\u00e9pertoire est pris dans un cycle de \u00abportages\u00bb perp\u00e9tuels qui risque, \u00e0 terme, de le conduire vers sa disparition. <\/p>\n\n\n\n<p>Dans cet expos\u00e9, nous montrerons comment une batterie de tests bien con\u00e7ue peut prendre en charge la pr\u00e9servation \u00e0 long terme des r\u00e9alisations musicales \u00e9lectroniques en temps r\u00e9el, en les ex\u00e9cutant, p\u00e9riodiquement et virtuellement, afin de v\u00e9rifier qu&rsquo;un ensemble fixe d&rsquo;entr\u00e9es donne les sorties audio correctes. Au lieu de constamment mettre \u00e0 jour les r\u00e9alisations pour s&rsquo;adapter \u00e0 l&rsquo;\u00e9volution des outils, nous utilisons au contraire les r\u00e9alisations comme tests, et maintenons les outils en place, de sorte que, si les tests sont r\u00e9ussis, le r\u00e9pertoire s&rsquo;ex\u00e9cute toujours correctement. Nous proposerons ensuite des moyens autour desquels les compositeurs et les institutions peuvent collaborer pour rendre ces techniques r\u00e9alisables dans la pratique. <a rel=\"noreferrer noopener\" href=\"https:\/\/www.youtube.com\/redirect?redir_token=QUFFLUhqbGFua3N4S1RPcHRhSGFmYVRwOHUxN2xUN2VoQXxBQ3Jtc0trbktVMHA3cmlidmZycjFmMWJNMkIzRV9tbTNUYVAyb1ZGOGJYZ2x3YTNja1hIbVFhRXVGUmsxZjQ3V3EwaDVTT2VRT3l3cnpEZGFNcEhocTM2THJGUDVoMUgwamt1dTVIRlRnTDhWQUh2MjVxMmQzWQ%3D%3D&amp;q=http%3A%2F%2Fmsp.ucsd.edu%2Ftools%2Freality%2Felind-pma-msp-prop.pdf&amp;v=Mr3lFOqEqBc&amp;event=video_description\" target=\"_blank\">http:\/\/msp.ucsd.edu\/tools\/reality\/eli&#8230;<\/a> <\/p>\n\n\n\n<p>2) De quoi Antony est-il le nom ? <\/p>\n\n\n\n<p>Serge Lemouton (IRCAM) <\/p>\n\n\n\n<p>Partant du constat de la volatilit\u00e9 des musiques informatiques et mixtes et des difficult\u00e9s \u00e9prouv\u00e9es \u00e0 les rejouer, les r\u00e9interpr\u00e9ter ou les restaurer, un groupe de travail de l&rsquo;AFIM &#8211; r\u00e9unissant entres autres Serge Lemouton, Jacques Warnier, Laurent Pottier, Guillaume Pellerin et Alain Bonardi &#8211; a permis de confronter au cours de deux ann\u00e9es les approches d\u00e9velopp\u00e9es par les diff\u00e9rents acteurs du domaine (CNCM, lieux de diffusion, centre de cr\u00e9ation, etc.). <\/p>\n\n\n\n<p>L&rsquo;hypoth\u00e8se de travail qui a \u00e9t\u00e9 explor\u00e9e est que la pr\u00e9servation de ces \u0153uvres doit s&rsquo;appuyer sur des bonnes pratiques, des outils et des m\u00e9thodologies, en particulier au niveau de l&rsquo;\u00e9criture, favorisant leur conception, leur documentation, leur diffusion et leur enseignement. <\/p>\n\n\n\n<p><a rel=\"noreferrer noopener\" href=\"https:\/\/www.youtube.com\/redirect?redir_token=QUFFLUhqbEtXUzNkRkY2YUlPLWk5M3BDS291RzN0UzdxZ3xBQ3Jtc0tsUzhuVG92S25pc2UxRV9GSWdyVWFPQnJJdERlMC13dlYtN1FHcGxyWWxLSjFGTmM1Z2lOTzhuMFJtZ0xvUU9kdE1BcWVXcm96NjgtZTV4bXVtelZrTkRmeXJKdVVDUmhGakVYNTNOM2UzYmVKUnZXdw%3D%3D&amp;q=https%3A%2F%2Fwww.stms-lab.fr%2F&amp;v=Mr3lFOqEqBc&amp;event=video_description\" target=\"_blank\">https:\/\/www.stms-lab.fr\/<\/a> <\/p>\n\n\n\n<p><a rel=\"noreferrer noopener\" href=\"https:\/\/www.youtube.com\/redirect?redir_token=QUFFLUhqbDByWjNoV2t6UEtOQlNKRG9zLU5JYmpFQkV5d3xBQ3Jtc0trX0tuWUVrNzRfbHJ2VnhiUkc5SUQtaWhla1kwUjhFVVdpelBDemdiZHZ6aXkzdm9FdEV2RUMzSm1kRElRWkFzTEdLVkNxNW1kNXBMRVo1bGIzcnVHZkdfQ3hIcTZJWno2ZmJUVHlvYnJrQU42WlNNSQ%3D%3D&amp;q=https%3A%2F%2Fwww.ircam.fr%2F&amp;v=Mr3lFOqEqBc&amp;event=video_description\" target=\"_blank\">https:\/\/www.ircam.fr\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Aujourd&rsquo;hui, le 16 d\u00e9cembre 2020, sur youtube : More info: https:\/\/www.stms-lab.fr\/agenda\/commen&#8230; Ce s\u00e9minaire r\u00e9unira Miller Puckette, Eric Lindemann, Philippe Manoury et Serge Lemouton autour de deux interventions : 1) Pr\u00e9servation \u00e0 long terme de la musique \u00e9lectronique en temps r\u00e9el Miller Puckette (UCSD) et Eric Lindemann (Synful) avec une introduction de Philippe Manoury La fragilit\u00e9 &hellip; <a href=\"http:\/\/electro-strasbourg.eu\/blog\/2020\/12\/webinar-comment-preserver-la-musique-mixte-temps-reel\/\" class=\"more-link\">Continuer la lecture de <span class=\"screen-reader-text\">Webinar &#8211; Comment pr\u00e9server la musique mixte temps r\u00e9el<\/span>  <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[],"class_list":["post-4171","post","type-post","status-publish","format-standard","hentry","category-non-classe"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p3WkX1-15h","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"http:\/\/electro-strasbourg.eu\/blog\/wp-json\/wp\/v2\/posts\/4171","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/electro-strasbourg.eu\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/electro-strasbourg.eu\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/electro-strasbourg.eu\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/electro-strasbourg.eu\/blog\/wp-json\/wp\/v2\/comments?post=4171"}],"version-history":[{"count":3,"href":"http:\/\/electro-strasbourg.eu\/blog\/wp-json\/wp\/v2\/posts\/4171\/revisions"}],"predecessor-version":[{"id":4178,"href":"http:\/\/electro-strasbourg.eu\/blog\/wp-json\/wp\/v2\/posts\/4171\/revisions\/4178"}],"wp:attachment":[{"href":"http:\/\/electro-strasbourg.eu\/blog\/wp-json\/wp\/v2\/media?parent=4171"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/electro-strasbourg.eu\/blog\/wp-json\/wp\/v2\/categories?post=4171"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/electro-strasbourg.eu\/blog\/wp-json\/wp\/v2\/tags?post=4171"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}