La classe de Cr\u00e9ation et Interpr\u00e9tation Electroacoustique de la HEAR, avec les pratiques sonores, Phonon et Sonic, vont \u00eatre pr\u00e9sent au Festival Next Generation 7.0 au ZKM \u00e0 Karlsruhe du 14 au 18 juin pour un concert le 15 juin \u00e0 17h, deux installations du 14 au 17, et une pr\u00e9sentation \u00ab\u00a0studio report\u00a0\u00bb le 15 \u00e0 14h.<\/p>\n
Voici les liens pour le programme:<\/p>\n
programme g\u00e9n\u00e9rale: Installations: Concert: Thursday 15th of June, 17h<\/p>\n New works by students of the Electroacoustique Composition and Performance class of the HEAR \/ Acad\u00e9mie Sup\u00e9rieure de Musique de Strasbourg<\/p>\n 1) Stomatopod<\/em><\/strong>, solo 9-string electric guitar and live computer \u2013 Guido Pedicone (2017, 10 min)<\/p>\n Exploring extended technique \u2013 such as tapping, slapping, picking and sliding \u2013 to create a sound canvas built of squeaking, rubbing, dissonance, and noise. The computer part is made from sounds originating with the instrument that either become independent entities, or serve to expand the instrumental sound.<\/p>\n<\/blockquote>\n 2) About frogs<\/em><\/strong>, Fixed-media electroacoustic multichannel composition \u2013 Etienne Haan (2017, 4 min)<\/p>\n This piece is simply \u201cabout frogs\u201d.<\/p>\n<\/blockquote>\n 3) Katharaxis<\/em><\/strong>, Fixed-media electroacoustic multichannel composition \u2013 Jean-David Merhi (2017, 7 min)<\/p>\n This piece was inspired by the book \u00ab\u00a0Catharsis\u00a0\u00bb from Luz that was written in reaction to the attacks of Charlie hebdo in 2015. The sound material was produced as part of a radio theater commissioned by the German radio station SWR2, which contains the texts of the book. The name of the piece comes from an interrogation about the close links between katharsis and ataraxia (from the Greek \u1f00\u03c4\u03b1\u03c1\u03b1\u03be\u03af\u03b1, meaning \u00ab\u00a0absence of troubles\u00a0\u00bb)<\/p>\n<\/blockquote>\n 4) HAL<\/em><\/strong>, Electronic Ensemble of Strasbourg (2017, 8 min)<\/p>\n Guido Pedicone, Etienne Haan, Jean-David Merhi et Sergio N\u00fa\u00f1ez Meneses<\/p>\n The Electronic Ensemble of Strasbourg exists since 2013 with students from the electroacoustic class of the Strasbourg Music Academy as part of a course in electronic instrument design. This is their latest work, a network-based gestural electronic music performance for four tablets, where each player can \u201csteal\u201d sounds and configurations from another player over a local network.<\/p><\/blockquote>\n 14-18 June 2017<\/p>\n Sound installations by art students of the Haute Ecole des Arts du Rhin (HEAR) \u2013 Strasbourg and Mulhouse. Optical Waves and Fi\u00e8vre were both created for the Exposition \u00ab\u00a0Vides Partag\u00e9s\u00a0\u00bb organis\u00e9 par la HEAR et le Shadok, Strasbourg, in Nov\/Dec 2016.<\/p>\n Optical Waves<\/em><\/strong>, 2016<\/p>\n Clay, wood, spring, plexiglas, piezo microphones, amplifier, transducers, 140x200x60cm.<\/p>\n Optical Waves is an acoustic feedback loop, producing an undulatory signal which is suspended between saturation and disappearance. It’s about perception of sound, balance, fragility and hesitation \u2013 in a system that reacts to the slightest impulse. The perceived frequency depends on the materials used and the acoustic environment (elasticity of the air, size of the room, etc). The sound is present as much by its physics (echo, oscillation, amplitude) as by its plasticity and presence in the space. The spectator can speak into the ceramic receivers triggering a vibration of a long extension spring which is picked up by piezoelectric microphones and transmitted to electroacoustic transducers. These transducers in turn re-diffuse the vibration back to the structure, thus making the spring vibrate again, completing the feedback loop.<\/p>\n<\/blockquote>\n Fi\u00e8vre<\/em><\/strong> (Fever), 2016<\/p>\n 9 metallic slabs of 666 x 666 mm, 1 iron frame of 4 m2, 6 transducer-loudspeakers, 1 multichannel amplifier, 1 mp3 player<\/p>\n Fi\u00e8vre (Fever) is an installation made of nine metal slabs contained in a four square meters frame. The slabs vibrate and resonate with sounds of growls and screams that cycle between states of rest and sudden violent awakenings. The sounds spread throughout the material via loudspeakers hidden under the slabs, causing them to shake while evoking a hidden underground world. The bursts of violence that break the silence and make this otherwise orderly, cold and inert structure tremble reflect the feverish nightmares I had as a child. The screams, though hardly recognizable through the metallic resonance, were recorded by myself during sound checks and interviews at a Heavy Metal festival I attended \u2014 with bands like Gorod, the singer Max Cavalera from Soulfly, Black Bomb A, Regarde les Hommes Tomber, Neurosis and more.<\/p>\n<\/blockquote>\n 15 June, 2017. 40 min<\/p>\n Music, sound and space at the Haute Ecole des Arts du Rhin<\/em><\/strong><\/p>\n The HEAR was founded in 2011 as a fusion of the existing \u00c9cole Sup\u00e9rieure des Arts D\u00e9coratifs of Strasbourg, the \u00c9cole Sup\u00e9rieure d’Art of Mulhouse and the Acad\u00e9mie Sup\u00e9rieure de Musique of Strasbourg (part of the Conservatoire de Strasbourg) \u2013 grouping together the disciplines of music, contemporary art, visual communications and design. This first participation of the HEAR in Next Generation 7.0 underscores the interconnections and collaborations existing between the different pedagogical groups dedicated specifically to the practices of music and sound art. This includes the Electroacoustic Composition Class of Tom Mays (including the Composition class of Daniel D\u2019Adamo), the \u201cAtelier Sonic\u201d in Mulhouse with Yvan Etienne et Brice Jeannin, the \u201cAtelier Phonon\u201d with Philippe Lepeut and Joachim Montessuis in Strasbourg, and other instructors actively developing cross-disciplinary projects such as G\u00e9rard Starck and \u00ab\u00a0La Fabrique\u00a0\u00bb. In this Studio Report, we will present an overview of our activities around music and sound art throughout the HEAR.<\/p>\n<\/blockquote>\n","protected":false},"excerpt":{"rendered":" La classe de Cr\u00e9ation et Interpr\u00e9tation Electroacoustique de la HEAR, avec les pratiques sonores, Phonon et Sonic, vont \u00eatre pr\u00e9sent au Festival Next Generation 7.0 au ZKM \u00e0 Karlsruhe du 14 au 18 juin pour un concert le 15 juin \u00e0 17h, deux installations du 14 au 17, et une pr\u00e9sentation \u00ab\u00a0studio report\u00a0\u00bb le 15 … Continuer la lecture de Cr\u00e9ation Electroacoustique au festival Next Generation au ZKM \u00e0 Karlsruhe<\/span>
\nhttp:\/\/zkm.de\/event\/2017\/06\/nextgeneration-70<\/a><\/p>\n
\nhttp:\/\/zkm.de\/event\/2017\/06\/nextgeneration-70-installationen<\/a><\/p>\n
\nhttp:\/\/zkm.de\/event\/2017\/06\/nextgeneration-70-sensorik-konzert-iii-iv<\/a><\/p>\n
\ncontributions HEAR :<\/h1>\n
Concert<\/h2>\n
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\nInstallations<\/h2>\n
Emma Kerssenbrock<\/h3>\n
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Oc\u00e9ane Pastier<\/h3>\n
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\nStudio Report<\/h2>\n
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