{"id":5059,"date":"2024-09-22T16:03:32","date_gmt":"2024-09-22T14:03:32","guid":{"rendered":"http:\/\/electro-strasbourg.eu\/blog\/?page_id=5059"},"modified":"2024-10-01T11:22:44","modified_gmt":"2024-10-01T09:22:44","slug":"videos-compositrices-compositeurs","status":"publish","type":"page","link":"http:\/\/electro-strasbourg.eu\/blog\/ressources\/audio-video\/videos-compositrices-compositeurs\/","title":{"rendered":"Vid\u00e9os : Compositrices \/ Compositeurs"},"content":{"rendered":"\n<p>Des vid\u00e9os int\u00e9ressante \u00e0 voir et \u00e0 \u00e9tudier \u2013&nbsp;profiles de compositrices et compositeurs<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>La Fresque Arts Sonores de l&rsquo;INA\/GRM \u2013 ressources in\u00e9puisable de document audiovisuels de toute l&rsquo;histoire de la musique \u00e9lectroacoustique \u00e0 parcourir pas ann\u00e9e sur une jolie \u00ab\u00a0fresque\u00a0\u00bb du temps&#8230;<br><a href=\"http:\/\/fresques.ina.fr\/artsonores\/fresque\" target=\"_blank\" rel=\"noopener\">http:\/\/fresques.ina.fr\/artsonores\/fresque<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<h1 class=\"wp-block-heading title style-scope ytd-video-primary-info-renderer\">Entretien avec Fran\u00e7ois BAYLE : l&rsquo;Acousmonium<\/h1>\n\n\n\n<p>Ina GRM<br>Published on Oct 24, 2017<\/p>\n\n\n\n<p>Entretien : Evelyne Gayou.<br>Traduction : David Vaughn<br>R\u00e9alisation : Jean-Baptiste Garcia<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"474\" height=\"267\" src=\"https:\/\/www.youtube.com\/embed\/1tsEdyw0s8c?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=fr-FR&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<h1 class=\"wp-block-heading\"><span id=\"eow-title\" class=\"watch-title \" dir=\"ltr\" title=\"The Art of Sounds (2007) - Pierre Henry\">The Art of Sounds (2007) &#8211; Pierre Henry<\/span><\/h1>\n\n\n\n<p>Directors: \u00c9ric Darmon &amp; Franck Mallet<br>Year: 2007<br>Time: 52 mins<br>Music: Pierre Henry<\/p>\n\n\n\n<p>Veteran and co-inventor of Musique Concr\u00e8te, Pierre Henry invites us for a short walk through his long career, his music, his concerts, his film-collaborations, and his home. An unique personality who fathered some of the most important developments in the music of the 20th century, remaining faithful to his vision and work till today.<\/p>\n\n\n\n<p>English subtitles hardcoded.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"474\" height=\"267\" src=\"https:\/\/www.youtube.com\/embed\/Zsb1w-3iFa8?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=fr-FR&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<h1 class=\"wp-block-heading yt watch-title-container\"><span id=\"eow-title\" class=\"watch-title \" dir=\"ltr\" title=\"Eliane Radigue - IMA Portrait documentary\">Eliane Radigue &#8211; IMA Portrait documentary<\/span><\/h1>\n\n\n\n<p>Eliane Radigue<\/p>\n\n\n\n<p>Her life journey has been remarkable. At the end of the fifties, she studied in Paris with musique concr\u00e8te pioneers Pierre Schaeffer and Pierre Henry, whom she also assisted, notably for the premiere of L&rsquo;Apocalypse de Jean. During the sixties she began composing with primitive electronics (feedback and asynchronous tape loops), but found little recognition for her research in France.<\/p>\n\n\n\n<p>In New York in the early seventies, she found understanding and emulation, exploring emerging minimalism with James Tenney, Charlemagne Palestine, Phillip Glass, John Gibson, and Steve Reich. Her absolute allegiance to electronic sounds began during this period. Since then she has composed on the best synthesizers of the time: Buchla, Moog, Serge, and then ARP, which would become her fetish instrument. She collaborated with Robert Ashley, who sang on Les Chants de Milarepa. She has composed about two dozen works, which she has presented and continues to present at numerous prestigious venues and festivals in the United States and Europe.<\/p>\n\n\n\n<p>In 2004, upon Kasper Toeplitz\u00b4s request, she started instrumental compositions for one or more performers, with whom she works in a close collaboration during the compositional process. This work gets quickly focused on pure acoustic sounds, in an incredibly delicate timbral way, which extends, without aesthetic rupture, her electronic work. Notably between 2004 and 2009, she completed a cycle in three parts \u00ab\u00a0Naldjorlak\u00a0\u00bb, for Charles Curtis on cello, Carol Robinson and Bruno Martinez on basset horns. She has now stopped her electronic work.<\/p>\n\n\n\n<p>Emmanuel Holterbach (Translation Leslie Stuck)<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"474\" height=\"267\" src=\"https:\/\/www.youtube.com\/embed\/D2U0q4lZiFg?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=fr-FR&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<h1 class=\"wp-block-heading\">Lecture 5 &#8211; [Part 1\/3] Karlheinz Stockhausen &#8211; Four Criteria of Electronic Music (KONTAKTE), (1972)<\/h1>\n\n\n\n<p>Given at the Oxford Union on May 6th 1972.<\/p>\n\n\n\n<p>The title of the work \u00ab\u00a0refers both to contacts between instrumental and electronic sound groups and to contacts between self-sufficient, strongly characterized moments. In the case of four-channel loudspeaker reproduction, it also refers to contacts between various forms of spatial movement\u00a0\u00bb.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"474\" height=\"267\" src=\"https:\/\/www.youtube.com\/embed\/7xyGtI7KKIY?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=fr-FR&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<h1 class=\"wp-block-heading\">Entrevue avec Edgard Var\u00e8se du 4 octobre 1959<\/h1>\n\n\n\n<p>\u00c9mission Premier plan du 4 octobre 1959 : Jean Vallerand s&rsquo;entretient avec le compositeur Edgard Var\u00e8se<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"474\" height=\"267\" src=\"https:\/\/www.youtube.com\/embed\/uU0ZDEbt3XA?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=fr-FR&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<h1 class=\"wp-block-heading\">\u00ab\u00a0Concert lecture\u00a0\u00bb\u00a0: Edgard Var\u00e8se,\u00a0\u00bbInt\u00e9grales\u00a0\u00bb, une archive de 1977<\/h1>\n\n\n\n<p>France Musique, Lundi 23 septembre 2019<\/p>\n\n\n\n<p>Gros plan sur une oeuvre du compositeur Edgard Var\u00e8se dans ce \u00ab\u00a0Concert lecture\u00a0\u00bb propos\u00e9 par Guy Reibel, et diffus\u00e9 sur France Musique en 1977. Illustr\u00e9e par les propos de Var\u00e8se, pr\u00e9sent gr\u00e2ce aux archives, cette \u00e9mission proposait une r\u00e9p\u00e9tition\u00a0\u00bb d&rsquo;Int\u00e9grales\u00a0\u00bb, que dirigeait Jean-Claude Pennetier.<\/p>\n\n\n\n<p><em>\u00ab\u00a0Je suis le premier \u00e0 avoir \u00e9crit une composition rien que pour la percussion\u2026au point de vue essence sonore, la percussion a une vitalit\u00e9 que les autres instruments n\u2019ont pas\u2026il y a un c\u00f4t\u00e9 tr\u00e8s vivant, un c\u00f4t\u00e9 plus ressenti dans l\u2019attaque du son &#8230;\/&#8230; Pour moi il n\u2019y a pas de diff\u00e9rences en le bruit et le son, si ce n\u2019est que ce que nous appelons bruit est d\u00fb \u00e0 une esp\u00e8ce de refus psychologique.\u00a0\u00bb<\/em>\u00a0<strong>Edgard Var\u00e8se<\/strong><\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Programmation musicale<\/h4>\n\n\n\n<p><strong>Edgard Var\u00e8se<\/strong><br><em>Int\u00e9grales<\/em>, pour 11 instruments \u00e0 vent et 4 percussionnistes (1923-1925)&nbsp;<br>Ensemble instrumental dirig\u00e9 par Jean-Claude Pennetier&nbsp;<br>(Archive INA 1977)&nbsp;<\/p>\n\n\n\n<p><a href=\"https:\/\/www.radiofrance.fr\/francemusique\/podcasts\/les-tresors-de-france-musique\/concert-lecture-edgard-varese-integrales-une-archive-de-1977-2889570\">https:\/\/www.radiofrance.fr\/francemusique\/podcasts\/les-tresors-de-france-musique\/concert-lecture-edgard-varese-integrales-une-archive-de-1977-2889570<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<h1 class=\"wp-block-heading\">Premi\u00e8re \u00e9dition du Festival Musica de Strasbourg : Concert d&rsquo;archive 1983<\/h1>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p>France Musique, Mardi 24 septembre 2019<\/p>\n\n\n\n<p>Concert d&rsquo;archive enregistr\u00e9 lors de la 1\u00e8re \u00e9dition du Festival Musica de Strasbourg, le 24 septembre 1983. Au programme : la 5\u00e8me Symphonie de Jean Sibelius et \u00ab\u00a0Am\u00e9riques\u00a0\u00bb d&rsquo;Edgard Var\u00e8se, avec l\u2019orchestre Philharmonique de Strasbourg plac\u00e9 sous la direction de Theodor Guschlbauer.<\/p>\n\n\n\n<p>La premi\u00e8re \u00e9dition du Festival Musica qui s&rsquo;installait \u00e0 Strasbourg du 19 septembre au 9 octobre 1983 \u00e9tait plac\u00e9 sous le signe d&rsquo;Edgard Var\u00e8se, \u00e0 l&rsquo;occasion du centi\u00e8me anniversaire de sa naissance. Pour rendre hommage \u00e0 \u00a0\u00a0\u00bb\u00a0l&rsquo;homme qui fit de la musique \u00e9lectronique avec de vrais instruments\u00a0\u00bb, comme le disait Oliver Messiaen, le festival proposait de donner une int\u00e9grale Var\u00e8se dans quatre de ses concerts&#8230;<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<h4 class=\"wp-block-heading\">Programmation musicale<\/h4>\n\n\n\n<p><strong>Jean Sibelius<\/strong><br><em>Symphonie n\u00b0 5 en Mi b\u00e9mol Maj op 82<\/em>\u00a0Orchestre Philharmonique de Strasbourg, dir. Theodor Guschlbauer<br>(Festival Musica, Palais de la musique et des congr\u00e8s de Strasbourg \/ Archive INA 1983) <\/p>\n\n\n\n<p><strong>Edgard Var\u00e8se<\/strong><br><em>Am\u00e9riques<\/em><br>Orchestre Philharmonique de Strasbourg, dir. Theodor Guschlbauer<br>(Festival Musica, Palais de la musique et des congr\u00e8s de Strasbourg \/ Archive INA 1983) \u00a0\u00a0<\/p>\n\n\n\n<p><strong>Edgard Var\u00e8se<\/strong><br><em>Offrandes<\/em><br>Christiane Eda-Pierre, soprano<br>Orchestre du Domaine Musical, dir. Gilbert Amy<br>(Ad\u00e8s \u00a0\u00a014164-2)\u00a0<\/p>\n<\/div><\/div>\n\n\n\n<p><a href=\"https:\/\/www.radiofrance.fr\/francemusique\/podcasts\/les-tresors-de-france-musique\/premiere-edition-du-festival-musica-de-strasbourg-concert-d-archive-1983-6271566\">https:\/\/www.radiofrance.fr\/francemusique\/podcasts\/les-tresors-de-france-musique\/premiere-edition-du-festival-musica-de-strasbourg-concert-d-archive-1983-6271566<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n<\/div><\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Des vid\u00e9os int\u00e9ressante \u00e0 voir et \u00e0 \u00e9tudier \u2013&nbsp;profiles de compositrices et compositeurs La Fresque Arts Sonores de l&rsquo;INA\/GRM \u2013 ressources in\u00e9puisable de document audiovisuels de toute l&rsquo;histoire de la musique \u00e9lectroacoustique \u00e0 parcourir pas ann\u00e9e sur une jolie \u00ab\u00a0fresque\u00a0\u00bb du temps&#8230;http:\/\/fresques.ina.fr\/artsonores\/fresque Entretien avec Fran\u00e7ois BAYLE : l&rsquo;Acousmonium Ina GRMPublished on Oct 24, 2017 Entretien &hellip; <a href=\"http:\/\/electro-strasbourg.eu\/blog\/ressources\/audio-video\/videos-compositrices-compositeurs\/\" class=\"more-link\">Continuer la lecture de <span class=\"screen-reader-text\">Vid\u00e9os : Compositrices \/ Compositeurs<\/span>  <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":922,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-5059","page","type-page","status-publish","hentry"],"jetpack_shortlink":"https:\/\/wp.me\/P3WkX1-1jB","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"http:\/\/electro-strasbourg.eu\/blog\/wp-json\/wp\/v2\/pages\/5059","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/electro-strasbourg.eu\/blog\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/electro-strasbourg.eu\/blog\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/electro-strasbourg.eu\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/electro-strasbourg.eu\/blog\/wp-json\/wp\/v2\/comments?post=5059"}],"version-history":[{"count":6,"href":"http:\/\/electro-strasbourg.eu\/blog\/wp-json\/wp\/v2\/pages\/5059\/revisions"}],"predecessor-version":[{"id":5084,"href":"http:\/\/electro-strasbourg.eu\/blog\/wp-json\/wp\/v2\/pages\/5059\/revisions\/5084"}],"up":[{"embeddable":true,"href":"http:\/\/electro-strasbourg.eu\/blog\/wp-json\/wp\/v2\/pages\/922"}],"wp:attachment":[{"href":"http:\/\/electro-strasbourg.eu\/blog\/wp-json\/wp\/v2\/media?parent=5059"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}