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<\/a><\/figure>\n<\/div>\n\n\nPage du livre, universit\u00e9 d’Oslo<\/p>\n\n\n\n
https:\/\/www.uio.no\/ritmo\/english\/people\/management\/alexanje\/research\/sound-actions\/index.html<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n Professor Alexander Refsum Jensenius has written a techno-cognitive book about how new technologies are shaping the future of musicking.<\/p>\n\n\n\n \u201cMusicking\u201d encapsulates both the making of and perception of music, so it includes both active and passive forms of musical engagement. But at its core, it is a relationship between actions and sounds, between human bodies and musical instruments. Viewing musicking through this lens and drawing on music cognition and music technology, Sound Actions<\/em> proposes a model for understanding differences between traditional acoustic \u201csound makers\u201d and new electro-acoustic \u201cmusic makers.\u201d<\/p>\n\n\n\n What is a musical instrument? How do new technologies change how we perform and perceive music? What happens when composers build instruments, performers write code, perceivers become producers, and instruments play themselves? The answers to these pivotal questions entail a meeting point between interactive music technology and embodied music cognition, what author Alexander Refsum Jensenius calls \u201cembodied music technology.\u201d Moving between objective description and subjective narrative of his own musical experiences, Jensenius explores why music makes people move, how the human body can be used in musical interaction, and how new technologies allow for active musical experiences. The development of new music technologies, he demonstrates, has fundamentally changed how music is performed and perceived.<\/p>\n\n\n\n 2002_problems-and-prospects-for-intimate-musical-control-of-computers.pdf<\/a><\/p>\n\n\n\n http:\/\/www-classes.usc.edu\/engr\/ise\/599muscog\/2004\/presentations\/14.0-kim\/Evaluation%20of%20Input%20Devices%20for%20Musical%20Expression.pdf<\/a><\/p>\n\n\n\n lien google books:<\/p>\n\n\n\n https:\/\/books.google.fr\/books?id=CGEwXZ7hcIoC&lpg=PP1&pg=PP1#v=twopage&q&f=false<\/a><\/p>\n\n\n\n Computer Music Journal Fall 2014, Vol. 38, No. 3, Advances in the Design of Mapping for Computer Music<\/p>\n\n\n\n Editors : Marcelo M. Wanderley<\/a> and Joseph Malloch<\/a>, <\/p>\n\n\n\n https:\/\/www.mitpressjournals.org\/toc\/comj\/38\/3<\/a><\/p>\n","protected":false},"excerpt":{"rendered":" livres Sound Actions: Conceptualizing Musical Instruments Page du livre, universit\u00e9 d’Oslo https:\/\/www.uio.no\/ritmo\/english\/people\/management\/alexanje\/research\/sound-actions\/index.html Professor Alexander Refsum Jensenius has written a techno-cognitive book about how new technologies are shaping the future of musicking. Description \u201cMusicking\u201d encapsulates both the making of and perception of music, so it includes both active and passive forms of musical engagement. But at … Continuer la lecture de Lutherie Electronique \u2013 ressources<\/span> Description<\/h6>\n\n\n\n
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