{"id":3895,"date":"2020-02-09T18:34:57","date_gmt":"2020-02-09T17:34:57","guid":{"rendered":"http:\/\/electro-strasbourg.eu\/blog\/?page_id=3895"},"modified":"2020-02-09T22:03:06","modified_gmt":"2020-02-09T21:03:06","slug":"articles-tom-mays","status":"publish","type":"page","link":"http:\/\/electro-strasbourg.eu\/blog\/ressources\/ecrits\/articles-tom-mays\/","title":{"rendered":"Articles et publications de Tom Mays"},"content":{"rendered":"

Forum Ircam 2020+<\/h3>\n

CRT – Composition in Real Time<\/em> : Environnement de composition temps r\u00e9el dans Max, 2015-pr\u00e9sent
\nhttps:\/\/forum.ircam.fr\/projects\/detail\/crt-composition-in-real-time\/<\/a><\/p>\n

JIM 2015 \u2013 Montr\u00e9al<\/h3>\n

Mays, T., \u00ab\u00a0L’harmonisateur augment\u00e9 : le dispositif d’\u00e9criture mixte dans l’\u0153uvre Le Patch bien temp\u00e9r\u00e9 III\u00a0\u00bb, in Actes des Journ\u00e9es d’Informatique Musicale<\/em> (JIM 2015), Montr\u00e9al
\nhttp:\/\/jim.afim-asso.org\/jim2015\/actes\/JIM15_Mays_T.pdf<\/a><\/p>\n

NIME 2014 – Londres<\/h3>\n

Tom Mays and Francis Faber. 2014. \u00ab\u00a0A Notation System for the Karlax Controller\u00a0\u00bb. Proceedings of the International Conference on New Interfaces for Musical Expression<\/em>, Goldsmiths, University of London, pp. 553\u2013556.
\nhttps:\/\/www.nime.org\/proceedings\/2014\/nime2014_509.pdf<\/a><\/p>\n

JIM 2013 – Saint-Denis<\/h3>\n

Tom Mays et Pedro Bittencourt, \u00ab\u00a0Modulateurs en anneau et saxophone : le dispositif d’\u00e9criture mixte et l’interpr\u00e9tation participative dans l’\u0153uvre Le patch bien temp\u00e9r\u00e9 II\u00a0\u00bb, in Actes des Journ\u00e9es d’Informatique Musicale<\/em> (JIM 2013), Saint-Denis, 2013, pp. 121-130.
\nhttp:\/\/jim.afim-asso.org\/JIM2013\/actes\/jim2013_15.pdf<\/a><\/p>\n

Universit\u00e9 de Paris 8 – M\u00e9moire de Master \u2013 2010<\/h3>\n

Mays, Tom, Traitements temps r\u00e9el et \u00e9criture \u2013 Vers un lexique musical de divers traitements sonores de base<\/em>, M\u00e9moire de Master 2 sous la direction de M. Horacio VAGGIONE,\u00a0Universit\u00e9 Paris 8 Vincennes \u00e0 Saint-Denis UFR ARTS, PHILOSOPHIE, ESTHETIQUE D\u00e9partement de Musique, 2010, Paris.
\nlien fiche biblioth\u00e8que du m\u00e9moire<\/a>
\nlien m\u00e9moire en pdf<\/a><\/p>\n

JIM 2010 \u2013 Rennes<\/h3>\n

Tom Mays, Renaud Rubiano, ‘Tapemovie : un environnement logiciel pour la cr\u00e9ation temps r\u00e9el interm\u00e9dia’, in Actes des Journ\u00e9es d’Informatique Musicale<\/em> (JIM 2010), Rennes
\nhttp:\/\/jim.afim-asso.org\/jim10\/10\/actes\/81mays.pdf<\/a><\/p>\n

JIM 2002 – Marseille<\/h3>\n

Manuel Poletti, Carl Faia, Tom Mays
\n\u00ab\u00a0Assistant Musical ou Producteur ? esquisse d’un nouveau m\u00e9tier\u00a0\u00bb, in Actes des Journ\u00e9es d’Informatique Musicale<\/em> (JIM 2002), Marseille
\nhttp:\/\/jim.afim-asso.org\/jim2002\/articles\/L29_Mays.pdf<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Forum Ircam 2020+ CRT – Composition in Real Time : Environnement de composition temps r\u00e9el dans Max, 2015-pr\u00e9sent https:\/\/forum.ircam.fr\/projects\/detail\/crt-composition-in-real-time\/ JIM 2015 \u2013 Montr\u00e9al Mays, T., \u00ab\u00a0L’harmonisateur augment\u00e9 : le dispositif d’\u00e9criture mixte dans l’\u0153uvre Le Patch bien temp\u00e9r\u00e9 III\u00a0\u00bb, in Actes des Journ\u00e9es d’Informatique Musicale (JIM 2015), Montr\u00e9al http:\/\/jim.afim-asso.org\/jim2015\/actes\/JIM15_Mays_T.pdf NIME 2014 – Londres Tom Mays … Continuer la lecture de Articles et publications de Tom Mays<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":609,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-3895","page","type-page","status-publish","hentry"],"jetpack_shortlink":"https:\/\/wp.me\/P3WkX1-10P","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"http:\/\/electro-strasbourg.eu\/blog\/wp-json\/wp\/v2\/pages\/3895","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/electro-strasbourg.eu\/blog\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/electro-strasbourg.eu\/blog\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/electro-strasbourg.eu\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/electro-strasbourg.eu\/blog\/wp-json\/wp\/v2\/comments?post=3895"}],"version-history":[{"count":6,"href":"http:\/\/electro-strasbourg.eu\/blog\/wp-json\/wp\/v2\/pages\/3895\/revisions"}],"predecessor-version":[{"id":3903,"href":"http:\/\/electro-strasbourg.eu\/blog\/wp-json\/wp\/v2\/pages\/3895\/revisions\/3903"}],"up":[{"embeddable":true,"href":"http:\/\/electro-strasbourg.eu\/blog\/wp-json\/wp\/v2\/pages\/609"}],"wp:attachment":[{"href":"http:\/\/electro-strasbourg.eu\/blog\/wp-json\/wp\/v2\/media?parent=3895"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}