{"id":1260,"date":"2016-03-09T20:24:48","date_gmt":"2016-03-09T19:24:48","guid":{"rendered":"http:\/\/electro-strasbourg.eu\/blog\/?page_id=1260"},"modified":"2016-06-29T14:10:08","modified_gmt":"2016-06-29T12:10:08","slug":"bibliographie-2","status":"publish","type":"page","link":"http:\/\/electro-strasbourg.eu\/blog\/ressources\/bibliographie-2\/","title":{"rendered":"Bibliographie"},"content":{"rendered":"

Ressources propos\u00e9es par S\u00e9bastien Clara lors d\u2019un atelier consacr\u00e9 \u00e0 SuperCollider<\/p>\n

Musicologie<\/h2>\n

Mussat, Marie\u00ad-Claire, Trajectoires de la musique au XXe si\u00e8cle, Klincksieck, Paris, 2e \u00e9d. 2002.<\/p>\n

Solomos, Makis, De la musique au son : l\u2019\u00e9mergence du son dans la musique des XXe\u00ad-XXIe si\u00e8cles, Presses universitaires de Rennes, Rennes, 2013.<\/p>\n

Rondeleux, Luc, Une histoire de l\u2019informatique musicale entre macroforme et microcomposition :\u00a0http:\/\/www.ai.univ-paris8.fr\/~jim99\/actes_html\/RondeleuxJIM99.htm#_ftnref14<\/a><\/p>\n

Synth\u00e8se<\/h2>\n

La synth\u00e8se sonore : https:\/\/fr.wikipedia.org\/wiki\/Synth%C3%A8se_sonore<\/a><\/p>\n

Oscillateur : http:\/\/www.dailymotion.com\/video\/xagz41_tutoriel-1-oscillateur_creation<\/a>
\nLes bases de la synth\u00e8se sonore partie 1 – Les oscillateurs : https:\/\/www.youtube.com\/watch?v=He7zgaFJ6Fo<\/a><\/p>\n

Noise : https:\/\/fr.wikipedia.org\/wiki\/Bruits_color%C3%A9s<\/a><\/p>\n

Risset – Mutations (1969) : https:\/\/www.youtube.com\/watch?v=JQRxTGLp8AY<\/a><\/p>\n

Stockhausen – Studie I : https:\/\/www.youtube.com\/watch?v=1GoUzk6fQAA<\/a>
\nStockhausen – Studie II : https:\/\/www.youtube.com\/watch?v=WDyjuVwWv0M<\/a><\/p>\n

Xenakis – Concret PH : https:\/\/www.youtube.com\/watch?v=UDP8H5IK5nw<\/a><\/p>\n

Trevor Wishart – Tongues of Fire :\u00a0https:\/\/www.youtube.com\/watch?v=x-Or7VaMlEI<\/a><\/p>\n

Roads , Curtis, Microsound, Cambridge, The MIT Press, 2001.<\/p>\n

Xenakis – Gendy 3 – for Computer – 1991 : https:\/\/www.youtube.com\/watch?v=REjuK14IYDo<\/a><\/p>\n

Serra, Marie-H\u00e9l\u00e8ne, Stochastic Composition and Stochastic Timbre: GENDY3 by Iannis Xenakis : http:\/\/music.columbia.edu\/cmc\/courses\/g6611\/spring2012\/week12\/gendy3.pdf<\/a><\/p>\n

Formalisation<\/h2>\n

Premi\u00e8re intervention de l’informatique dans la musique (technique de CAO – Composition Assist\u00e9e par Ordinateur). 1956 \u2013 Lejaren A. Hiller et Leonard Isaacson \u2013 Illiac Suite String Quartet :\u00a0https:\/\/www.youtube.com\/watch?v=n0njBFLQSk8&list=PL9P05pk_gdHZgon-i-Edcdw24mIOm_zcZ<\/a><\/p>\n

NICOLAS, Fran\u00e7ois, Le S\u00e9rialisme :\u00a0http:\/\/www.entretemps.asso.fr\/Nicolas\/TextesNic\/Serialisme.html<\/a><\/p>\n

Boulez – Anth\u00e8mes II – pour violon et dispositif \u00e9lectronique :\u00a0https:\/\/www.youtube.com\/watch?v=znTVodLx1fE&feature=youtu.be<\/a><\/p>\n

Xenakis, Iannis, Musiques formelles :\u00a0http:\/\/www.iannis-xenakis.org\/fxe\/ecrits\/mus_form.html<\/a><\/p>\n

Xenakis – Pithoprakta (1955\/1956) :\u00a0https:\/\/www.youtube.com\/watch?v=AE1M2iwjTsM<\/a><\/p>\n

Beranger, S\u00e9bastien, Les d\u00e9terminations du timbre… Des perm\u00e9abilit\u00e9s de la musique spectrale au syncr\u00e9tisme compositionnel :\u00a0https:\/\/www.cairn.info\/revue-musurgia-2011-3-page-29.htm<\/a><\/p>\n

Grisey – Les espaces acoustiques III. Partiels :\u00a0https:\/\/www.youtube.com\/watch?v=Sk0S_MYm748<\/a><\/p>\n

Electroacoustique<\/h2>\n

Solf\u00e8ge de l’objet sonore par Schaeffer :\u00a0https:\/\/www.youtube.com\/watch?v=gWMA_iRQSFg<\/a><\/p>\n

1958 \u2013 Pierre Schaeffer \u2013 \u00c9tude aux allures :\u00a0https:\/\/www.youtube.com\/watch?v=HgiNq0bdkKg<\/a><\/p>\n

Bernard Parmegiani – La cr\u00e9ation du monde – 1 Lumi\u00e8re noire :\u00a0https:\/\/www.youtube.com\/watch?v=nLkBbbCZMx0<\/a><\/p>\n

Luc Ferrari – PRESQUE RIEN n.1 – le lever du jour au bord de la mer :\u00a0https:\/\/www.youtube.com\/watch?v=aKq-LRYv1Q4<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Ressources propos\u00e9es par S\u00e9bastien Clara lors d\u2019un atelier consacr\u00e9 \u00e0 SuperCollider Musicologie Mussat, Marie\u00ad-Claire, Trajectoires de la musique au XXe si\u00e8cle, Klincksieck, Paris, 2e \u00e9d. 2002. Solomos, Makis, De la musique au son : l\u2019\u00e9mergence du son dans la musique des XXe\u00ad-XXIe si\u00e8cles, Presses universitaires de Rennes, Rennes, 2013. Rondeleux, Luc, Une histoire de l\u2019informatique … Continuer la lecture de Bibliographie<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":920,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-1260","page","type-page","status-publish","hentry"],"jetpack_shortlink":"https:\/\/wp.me\/P3WkX1-kk","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"http:\/\/electro-strasbourg.eu\/blog\/wp-json\/wp\/v2\/pages\/1260","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/electro-strasbourg.eu\/blog\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/electro-strasbourg.eu\/blog\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/electro-strasbourg.eu\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/electro-strasbourg.eu\/blog\/wp-json\/wp\/v2\/comments?post=1260"}],"version-history":[{"count":8,"href":"http:\/\/electro-strasbourg.eu\/blog\/wp-json\/wp\/v2\/pages\/1260\/revisions"}],"predecessor-version":[{"id":1641,"href":"http:\/\/electro-strasbourg.eu\/blog\/wp-json\/wp\/v2\/pages\/1260\/revisions\/1641"}],"up":[{"embeddable":true,"href":"http:\/\/electro-strasbourg.eu\/blog\/wp-json\/wp\/v2\/pages\/920"}],"wp:attachment":[{"href":"http:\/\/electro-strasbourg.eu\/blog\/wp-json\/wp\/v2\/media?parent=1260"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}